jeden Mittwoch gibt es von 15:00 bis 18:00 ein Tanzcafe im Cafe Wolf.
Schlager, Evergreens, Polka, Walzer, Cha Cha, Rumba uvm.
Jeden Mittwoch geht im Wolf auch nachmittags die Post ab.
Eingeladen sind alle: Alt und Jung, Offensive und Vorsichtige.
kuratiert von Lothar Lässer
Grafik: Josef Fürpaß
jeden Mittwoch gibt es von 15:00 bis 18:00 ein Tanzcafe im Cafe Wolf.
Schlager, Evergreens, Polka, Walzer, Cha Cha, Rumba uvm.
Jeden Mittwoch geht im Wolf auch nachmittags die Post ab.
Eingeladen sind alle: Alt und Jung, Offensive und Vorsichtige.
kuratiert von Lothar Lässer
Grafik: Josef Fürpaß
Honig ums Maul geschmiert bekommen und anschließend von einem Bienenschwarm gestochen werden - so klingt die Grunge-Pop-Band OXYJANE. Kompromisslose, dreckige Gitarrenwände treffen auf eine frech-zarte Stimme und abrupte Dynamikänderungen auf eingängige Melodien.
„Oxyjane aus Graz machen Musik, die auf wunderbare Art mit Grunge Rock der 90s, Alternative Rock und zeitgenössischem Pop spielt. Introspektiver, melancholischer Indierock über Abgründe und Emotionen an der Kippe.“ - FM4, Alexandra Augustin
Selina Galka: Gesang, Gitarre, BassFoto: Alexander Krischner
jeden Mittwoch gibt es von 15:00 bis 18:00 ein Tanzcafe im Cafe Wolf.
Schlager, Evergreens, Polka, Walzer, Cha Cha, Rumba uvm.
Jeden Mittwoch geht im Wolf auch nachmittags die Post ab.
Eingeladen sind alle: Alt und Jung, Offensive und Vorsichtige.
kuratiert von Lothar Lässer
Grafik: Josef Fürpaß
DEAE is a duo for flutes, percussion, keyboards and electronics. The starting point of this duo are medieval works by Hildegard of Bingen, transformed into partly composed, contemporary, improvised material, structured and filtered through the musicians own peculiar musical sensibility.
In 2023, the ensemble had a well-received concert premiere with the guest appearance of Estonian double bassist Mingo Rajandi at the 12th Katowice JazzArt Festival and at the JazzKaar festival in Tallinn; in January 2024, the duo performed at the Days of New Music festival in Gdańsk. This year, the duo performed twice with German virtuosos Axel Dörner and Erhard Hirt – in Berlin at the Avant Art Festival and at the Polish Witold Lutosławski Studio in the final concert of the Ad Libitum festival.
Zofia Ilnicka - flutist, composer, improviser. She graduated from the Academy of Music in Bydgoszcz in 2016. For many years she has been closely associated with the performance of new and improvised music. She is an artist boldly exploring advanced performance techniques. Involved in many jazz, free-impro and contemporary music projects including Trio_io, Layers, Space Welders, Brzoska Kolektyw, Krakow Improvisers Orchestra. She collaborates with many composers, consulting their works. She draws inspiration from the music of Brian Ferneyhough, Dominik Karski and Steve Reich. She has collaborated with the Landjugendorchester NRW, the Pomeranian Philharmonic Orchestra in Bydgoszcz and the Symphony Orchestra of Toruń.
Ola Rzepka - drummer, pianist, composer and performer. A graduate of the Rhythmic Music Department of the Academy of Music in Katowice at the Faculty of Composition, Interpretation, Education and Jazz, and a scholarship holder of the Rhythmic Music Conservatory in Copenhagen in the piano and percussion class. Scholarship holder of the Minister of Culture and the Office of the Marshal of the Silesian Voivodeship. She teaches piano improvisation at the K. Szymanowski Secondary Music School in Katowice, conducts her own lessons and music workshops. She has cooperated, among others, with Raphael Rogiński, Antoni Ziut Gralak. She has written music for theater performances in, among others, the Słowacki Theatre in Kraków, the Capitol in Wrocław, as well as in Germany and Switzerland. She has performed with her own repertoire at many festivals of avant-garde, improvised, contemporary, pop and jazz music in Poland, Denmark, Germany, Austria, Estonia, Macedonia and Turkey. Featured among the Jazz Top drummers of 2024 according to the Jazz Forum magazine critics' poll.
Foto: Malwina Majer
jeden Mittwoch gibt es von 15:00 bis 18:00 ein Tanzcafe im Cafe Wolf.
Schlager, Evergreens, Polka, Walzer, Cha Cha, Rumba uvm.
Jeden Mittwoch geht im Wolf auch nachmittags die Post ab.
Eingeladen sind alle: Alt und Jung, Offensive und Vorsichtige.
kuratiert von Lothar Lässer
Grafik: Josef Fürpaß
Laura Krieg is a means of geocritical self-defence. a cold wave of brutalist pop. a drum machine. a microphone. and silver glitter.
With “Crépuscule” I wanted to make people dance, even if they’re sad. I worked on a more ethereal and warm sound, on songs to listen to with an open heart.
I wanted to explore the imaginary of the end; build a series of images captured at the moment when everything is about to disappear. A red sky in the desert, a diffuse character taking form but refusing to become real.
I approached the writing of the album as multiple attempts to grasp this entity, resulting in a collection of fragments. I was inspired by classic Greek tragedy: Medea, the outsider, standing by the abysm, in the middle of the emptiness. And by postdramatic theater: Hamlet-machine, the impossibility to have a voice in the shadow of the Ghost. The omnipresence of death where we expect life.
Another idea that drove the making of the album was the “in-between”: make encounter a feeling that drives me towards the deepness and another that pulls me up, searching for transcendence. In this liminal state, explore the space between melancholy and desire.
Dancing to the end of everything. I placed the body in the center of the process, as a form of resistance: “Au milieu de la nuit, les corps sont brillants”.
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